Han vocal music of contemporary china volume 1 the han people


Chinese writings claim that in 2697 bce the emperor Huangdi sent a scholar, Ling Lun, to the western mountain area to cut bamboo pipes that could emit sounds matching the call of the fenghuang , an immortal bird whose rare appearance signaled harmony in the reign of a new emperor. By imitating the sound of the bird, Huangdi made possible the creation of music properly pitched to harmonize his rulership with the universe. Even this symbolic birth of music dates far too late to aid in discovering the melodies and instrumental sounds accompanying the rituals and burials that occurred before the first historically verified dynasty , the Shang ( c. 1600–1046 bce ). The sounds of music are evanescent, and before the invention of recordings they disappeared at the end of a performance. The remains of China’s most ancient music are found only in those few instruments made of sturdy material. Archaeological digs have uncovered globular clay vessel flutes ( xun ), tuned stone chimes ( qing ), and bronze bells ( zhong ), and the word gu , for drum, is found incised on Shang oracle bones (turtle shells and ox bones used by rulers for ritual divination and sacrifice to obtain the grace of their ancestors).


Han Vocal Music Of Contemporary China Volume 1 The Han PeopleHan Vocal Music Of Contemporary China Volume 1 The Han PeopleHan Vocal Music Of Contemporary China Volume 1 The Han PeopleHan Vocal Music Of Contemporary China Volume 1 The Han People

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